For the first 15 minutes of “What Remains,” we follow around a Scandinavian man named Mads Lake (Gustav Skarsgård), formerly Sigge Storm. Bearded, grizzled, timid, always wearing a Rukka outdoor coat — Lake is looking to start a new life after spending years in a psychiatric hospital. He tries (and fails) to get an apartment, gets mugged at knifepoint, and reconnects with his older brother. Right when you start to feel some sympathy for this poor sumabitch, therapist Anna Rudebeck (Andrea Riseborough) shows up and asks him this whopper: “What’s this about the nine boys you’ve molested?”
From then on, “What Remains” becomes a chilly psychodrama that dares you to feel something for a pedophile. Of course, Lake is a product of sexual abuse; his father began molesting him way back when he was three. When he hears about the unsolved case of a missing six-year-old boy, he wonders if he did more than sexually assault children.
Along with looking like they’re suffering from seasonal eczema, most of the characters are lost, damaged souls. That aforementioned therapist, who has daddy issues of her own, is obsessed with getting pregnant, even hooking up with some rando in a late-night backseat attempt to get knocked up. (Riseborough, that pale-faced chameleon, leans into playing someone who appears dead inside, even when she wants to put a baby in there.) They’re joined by Soren Rank (Stellan Skarsgård, gruff as always), a cop assigned to solve the case. He’s also a recovering alcoholic working on getting back on his ex-wife and daughter’s good graces.
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